Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Jul 7 - Jul 12
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
Solvacare Compressiekous beige M 23 - 26 cm 1.00 PaarSolvacare Compressiekous beige M 23 26 cm SolvaCare compressiekous De aflopende druk van enkel naar kuit helpt de doorstroming van het veneuze bloed terug naar het hart en de longen. Helpt diepe veneuze trombose voorkomen Geeft ondersteuning bij spataderen en verstuikingen Effectief tegen vermoeide benen Gebruik Deze kousen zijn zeer geschikt voor: voorkomen van diepe veneuze trombose (ook reizigerstrombose) voorkomen van en verlichten bij varices
Solvacare Compressiekous beige M 23 - 26 cmSolvaCare compressiekous
De aflopende druk van enkel naar kuit helpt de doorstroming van het veneuze bloed terug naar het hart en de longen.
- Helpt diepe veneuze trombose voorkomen
- Geeft ondersteuning bij spataderen en verstuikingen
- Effectief tegen vermoeide benen
Gebruik
Deze kousen zijn zeer geschikt voor: - voorkomen van diepe veneuze trombose (ook reizigerstrombose) - voorkomen van en verlichten bij varices (spataderen) - ondersteuning bij verstuikte enkels - voorkoming van vermoeide benen (staande beroepen)
Aanwijzigingen voor gebruik
Aanmeten van de kousen: Meet uw enkelomvang ongeveer 2 cm boven het enkelbot. Kies de kous met de enkel omvang die bij uw waarde past. Als u gebruik maakt van het SolvaCare meelint geeft bovendien de kleur die bij uw enkelomtrek hoort de kleurcodering van de kous aan. Als uw kuit in verhouding tot uw enkel erg dik is adviseren wij u 1 maat groter te nemen Aantrekken van de kous Stap 1: Steek je hand in de kous tot het hielstuk. Pak het hielstuk vast en draai de kous binnenstebuiten tot het hielstuk Stap 2: Plaats de kous over de voet, en zorg ervoor dat het donkere gedeelte van het hielstuk onder de hiel terecht komt. Stap 3: Pak het resterende gedeelt van de kous dat nog binnenstebuiten zit tussen duim en vingers, en trek dit rustig omhoog over de enkel en kuit. Stap 4: Zorg ervoor dat de kous glad aansluit op de huid en dat de band bovenaan de kous niet dubbel zit. Verzeker je ervan dat de bovenkant van de kous twee vingers onder de knieholte eindigt. Dit is belangrijk om een goede doorstroming te garanderen. Uittrekken van de kous: Stap 1: Pak eenvoudig de bovenkant van de kous en trek deze rustig maar stevig naar beneden over de kuit, enkel en voet. Wees extra voorzichtig bij wonden of kwetsbare huid. Pas op met scherpe nagels, en trek niet met slechts 2 vingers hard omlaag. Hierdoor zou de kous kunnen scheuren. Stap 2: Steek eventueel uw duimen naast de achillespees onder de kous om deze gemakkelijk over uw hiel te krijgen De compressiekousen van SolvaCare zijn het meest effectief in het ondersteunen van de bloedcirculatie als ze goed zijn aangetrokken. Hoe controleer je dat? Let goed op de volgende aanwijzingen: Zorg dat de kous goed en glad over het gehele onderbeen zit. Zorg dat het donker gekleurde hielstuk goed aansluit onder de hiel. Zorg dat de bovenrand van de kous niet is dubbelgeslagen. De bovenrand van de kous moet twee vingers onder de knieholte eindigen. De compressiekousen van SolvaCare zijn zowel in de breedte als in de lengte elastisch. Mensen met lange onderbenen kunnen de kous verder optrekken. Maak hiervoor draaiende bewegingen met de handen (alsof je een stuur heen en weer draait) tijdens het aantrekken van de kous en de stof zal meegeven. Dit heeft geen effect op het drukprofiel en de werking van de kous. Wasinstructie De kousen kunnen machine gewassen worden op maximaal 75 ºC. Het effectieve compressieprofiel is tot 15 wasbeurten gegarandeerd. Het machinaal drogen van de kousen zal de levensduur van de kousen verkorten. Het beste is de kousen te drogen middels een waslijn of wasrek. Hang de kousen niet over een verwarming of een andere warmtebron om te drogen.
Bewaaradvies
Droog bewaren.
Medisch hulpmiddel. Lees voor gebruik de bijsluiter.
Verantwoordelijk voor het in de handel brengen
Solvacare BV
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.2 ★★★★★
Based on 1945 reviews
Sort
Product Reviews
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader.
This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story.
I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation.
I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation.
For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following:
ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017