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Cabell County, Virginia 1810 Substitute Census by John Vogt

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Cabell County, Virginia 1810 Substitute Census by John VogtCabell's 1810 census was destroyed during the War of 1812, and the abstracted personal property tax list offers a substitute census for the head of households. Abstracted from original Personal Property Tax Records in the Library of Virginia. Cabell is one of eighteen Virginia counties for which the 1810 census is lost. In August, 1814 British troops occupied Washington, DC and public buildings were put to the torch. In the destruction that followed,

Cabell's 1810 census was destroyed during the War of 1812, and the abstracted personal property tax list offers a substitute census for the head of households.

Abstracted from original Personal Property Tax Records in the Library of Virginia.

Cabell is one of eighteen Virginia counties for which the 1810 census is lost. In August, 1814 British troops occupied Washington, DC and public buildings were put to the torch. In the destruction that followed, numerous early records of the government were lost, including all of Virginia’s 1790 and 1800 census reports, as well as eighteen county lists for the state's most recent [1810] federal census. Although two “fair copies” of each county’s census had been left in the counties for public display, these were ephemeral lists and not preserved, and by 1814 they too had been mislaid, lost, or destroyed. Hence, the closest document available we have to reconstruct a partial image of the missing county lists is the personal property tax list.

According to research notes by Minor T. Weisiger, Library of Virginia archivist: “Information recorded in Virginia personal property tax records changed gradually from 1782 to 1865. The early laws required the tax commissioner in each district to record in “a fair alphabetical list” the names of the person chargeable with the tax, the names of white male tithables over the age of twenty-one, the number of white male tithables between ages sixteen and twenty-one, the number of slaves both above and below age sixteen, various types of animals such as horses and cattle, carriage wheels, ordinary licenses, and even billiard tables. Free Negroes are listed by name and often denoted in the list as “free” or “FN.”

The present abstract of Cabell's 1810 personal property tax list is NOT a transcript of the entire document; rather, it is a summary of three items important in delineating the 1810 "substitute" census for this county, i.e., number of male tithables 16 and older, number of slaves twelve years and older, and the number of horses. The original form of the census was in alphabetic order by date and letter. The substitute list presented here is in absolute alphabetic order for easy reference.

In the current volume, the data is recorded thus:
        Kincaid, Samuel J.r           -        -        5
        Kincaid, Samuel S.r        3        5        11
        Kincaid, Samuel
            (blacksmith)                1        -        -

Column one represents the tithable males (16 and over) in the household; column 2 is the number of slaves over 12; and the final column is the number of horses, mares or mules.

For genealogical researchers in this 1810 period, personal property tax records may provide additional important information. Oftentimes, juniors and seniors are listed adjacent to one another and recorded on the same day. When a taxpayer is noted as “exempt”, it can be a clue to someone holding a particular position in government or being elderly, infirm, or for some other reason no longer required to pay the tithable tax. Women, both black and white, appear occasionally as heads of households when they own property in their own right or as the widow of a property owner.

Another valuable source for filling in information about an ancestor is the land tax record, and especially the one for 1815. In that year, the enumerators began to add the location of the property in relation to the county court house. Roger Ward has abstracted all of the 1815 land tax records, and they are available as well. This is especially important in the case of Cabell, which was a parent to all or part of eight West Virginia counties (Cabell, Wayne, Lincoln, Putnam, Mingo, Logan, Boone & Wyoming)

The 1810 substitute census list for Cabell County contains 487 households, 524 tithables, both white and free black, and 122 slaves over the age of twelve, and 1,169 horses.

Surnames found in this book:

Adams; Adkins; Aldridge; Allsbury; Amos; Amoss; Ansel; Armstrong; Artrip; Austin;

Baker; Ball; Ballard; Barhart; Barnes; Barrett; Barton; Bartrum; Bartrurn; Bean; Beller; Bellowmy; Benson; Bias; Blankenship; Blew; Bloss ; Boalt; Boothe; Booton; Bostick; Boyd; Brammer; Brewer; Brian; Brown; Brumfield; Buffington; Burcham; Burns; Burris; Burton;

Camell; Cardwell; Carter; Cartmill; Casey; Chapman; Christain; Clap; Clark; Clevenger; Collins; Comeans; Conly; Cornwell; Cox; Crump; Comeans;

Damron; Dunbar; Daniel; Davidson; Davis; Dearing; Dennis; Dial; Dingess; Donathan; Douthit; Droddy; Dunkel; Durton;

Elkins; Ellis; Ellison; Emmons; Epling; Erwin; Estell; Estes; Evans;

Farler; Ferel; Ford; Forgey; Forguson; Forgy; France; Friley; Frily; Fudge; Fullerton; Fuson;

Garrett; Gilkerson; Godby; Grant; Gray; Greenwood; Griffith; Guin; Gumby;

Hagley; Halverson; Hampton; Haner; Haney; Hannon; Harbour; Harrison; Haskins; Hatcher; Hatfield; Hatton; Hauger; Hayman; Hazlet; Heath; Henry; Hervey; Higgins; Hillyard; Hisey; Hite; Hodge; Hogan; Holderbey; Holenback; Holland; Hollenbach; Hoskinson; Howard; Howe; Howel; Huddleston; Huggard; Hull; Hulman; Hutchison; Hutsan;

Jarrott; Johnston; Jones; Jourdan; Jourden;

Keesee; Kelly; Kilgore; Kirk;

Lambert; Lankford; Lee; Lore; Love;

Marcum; McComas; McCown; McCoy; McGinnis; McNealy; Meritt; Merritt; Miller; Moore; Morgan; Morris; Morrison; Mount; Muncey;

Nance; Napper; Neal; Nelson; Newman; Nicolas; Nuil (Neal);

Parsons; Paully; Payton; Peary; Perdew; Peters; Peyton; Phillips; Picket; Pine; Porter; Prate; Puthuff; Puzey;

Randal; Rea; Read; Rece; Reuby; Rice; Rife; Riggs; Ripley; Robertson; Robinson; Roffe; Rogers; Russell; Rutherford;

Salmons; Sample; Sansom; Saunders; Saxton; Scales; Scidmore; Shelton; Short; Simmons; Sirus; Slaughter; Smiley; Smith; Snell; Snodgras; Snodgrass; Southerland; Spears; Sperry; Spurlock; Stafford; Stallings; Stephens; Stephenson; Stewart; Stokes; Stone; Stout; Strupe; Swearingem; Syrus;

Tally; Taylor; Taylor; Thompson; Tiller; Toney; Trent; Tule; Turly;

Vaughan;

Walker; Wallace; Walton; Ward; Ware; Wellman; White; Wilks; Williams; Williamson; Wilson; Wintz; Wishon; Witcher; Wood; Woodward; Woosely; Workman;

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Louisville, US
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Truly, the best we could do
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An excerpt from my analysis essay I submitted for my literature course: By revisiting her family’s past from before, during, and after the Vietnam War, she gained a deeper understanding of the emotional burdens her parents carried and the sacrifices they made that defined the entirety of their lives. Bui’s illustrated graphic memoir reveals that trauma does not simply disappear over time; instead, it becomes inherited, processed, and transformed. Through this process, Thi Bui is able to move toward empathy for her parents, acceptance of who they are, and a more complete sense of self.
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Phenomenal. A must-read!
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I first learned about this book only a week ago when visiting my sister for Thanksgiving in Eugene, Oregon. We went to the Jordan Schnitzer Museum of Art where I saw some work on display by the author, and there was a copy of her book available to look at, so I perused through and decided to buy it and read it. I'm so glad that I did! This is an incredible, poetic story that spans four generations, multiple wars and conflicts, and examines the fragility of the author's relationship with her parents and with her sense of place and motherhood. This book is one of the best I've read in a long time, and the art is moving and beautiful. It gave me new insight into the struggles of refugee life, and created a truly relatable narrative. I devoured this story in one Saturday. I highly recommend it.
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Sav
Charlottesville, US
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A well composed memoir
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Full review on nguyentoread.com The Best We Could Do is Thi Bui's graphic memoir. Thi was born in Vietnam three months before the Vietnam War reached what we consider to be the end of the war. She came to America with her family in 1978. Bui's memoir spans multiple generations. In learning of her mother's and father's pasts, we learn the history of their parents. We see the struggles and pains of two people from very different walks of life trying to live during a time of war and chaos. We see glimpses of the agony everyone in the middle of the Vietnam War faced. Those who were not directly involved on either side but were caught in the middle of larger powers at war. This memoir more closely details the lives of her parents leading up to them arriving in America and making their life there. I was unsure if this memoir would focus largely on the experience of being a Vietnamese immigrant in America. There were parts that showed how it was for Bui's parents in a country where tensions were still high after the Vietnam War, where discrimination largely due to that was overt, and where degrees were not recognized and people who had spent their lives working and creating careers for themselves were not qualified for most work and had to hurdle multiple challenges to learn a language and complete education all over again if they wanted to provide a better life for their children. What Bui so beautifully captures in this memoir is the why behind how her parents were in raising her. Although Bui was born in Vietnam she was young when her family arrived in America. So I think her experience is one that many first generation Vietnamese-American people of my generation can understand and sympathize with. The wanting to know why their parents are the way they are but unable to ask because many have parents, like Bui's mother, who reluctantly share their stories and don't allow their children that glimpse that could help them better understand. In the panel which was most poignant to me, Bui draws her father as he looks over her work that would become The Best We Could Do. He says "You know how it was for me. And why later I wouldn't be... normal."
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Noah Beitzel
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This book made me love my parents more
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I loved the raw depictions of vietnamese history and human emotions. I recommend this book to anyone experiencing intergenerational trauma. 5 stars, this book helped me understand my father and mother just a little more, and that is priceless
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