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Description
REVOK 'If God Actually Exists...' (2010) Custom Framed Hand-Finished SerigraphIf God Actually Exists She is a Heartless Bitch by REVOK, 2010 48 x 36 Inches 122 x 91. 4 Centimeters 54 x 42. 5 Inches (framed) Very Rare, Hand Finished Embellished serigraph on hand pulled, deckled edge 330gsm archival cotton fine art paper. Limited Edition of only 5 (#5 5) Hand signed, numbered and embossed by the artist. *Note: Professionally custom mounted and gallery framed in black suede matting and UV plexiglass in black hardwood frame. ARTIST
‘If God Actually Exists She is a Heartless Bitch’ by REVOK, 2010
48 x 36 Inches
122 x 91.4 Centimeters
54 x 42.5 Inches (framed)
Very Rare, Hand-Finished/Embellished serigraph on hand-pulled, deckled edge 330gsm archival cotton fine art paper.
Limited Edition of only 5 (#5/5)
Hand-signed, numbered and embossed by the artist.
*Note: Professionally custom mounted and gallery framed in black suede matting and UV plexiglass in black hardwood frame.
ARTIST BIO
Born in Riverside, California in 1977, Los Angeles based artist REVOK discovered art through his father's collection of 60's & 70's album covers, comic books, and skateboarding. In 1990 REVOK began sneaking out of the 2nd story window of his parents home to write graffiti around his neighborhood...21 years later not much has changed despite numerous arrests, jail time and fines in the U.S. and overseas.
REVOK enjoys traveling and painting graffiti. He was recently the target of a political war against graffiti and street art led by Los Angeles city attorney Carmen Trutanich and the L.A. Sheriffs department. His work explores the struggle between opposing perspectives that is perpetual action around us in our shared common spaces.
In 2011 REVOK was featured in Museum of Contemporary Art Los Angeles' in the "Art In The Streets" exhibition. The Pasadena Museum of Contemporary art's "Street Cred", "Perseverance" at KNOWN gallery and "Triumph & Tragedy" in Hamburg's Vicious gallery. REVOK's latest body of work "Ordinary Things" features dozens of assemblages created with pieces of Detroit's lost and forgotten areas. The recent body work has been shown over the past 6 months to worldwide acclaim at galleries in Detroit, Los Angeles, New York, Miami and London.
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