Louis Armand, DI/ODE (2023)

Louis Armand, DI/ODE (2023)Poetry is the subjective in language. LOUIS ARMANDs poetry collections include INFANTILISMS (2023), VITUS (2022), DESCARTES DOG (2021), MONUMENT (with John Kinsella, 2020), EAST BROADWAY RUNDOWN (2015), THE RUBE GOLDBERG VARIATIONS (2015), INDIRECT OBJECTS (2014), SYNOPTICON (with John Kinsella, 2012), LETTERS FROM AUSLAND (2011), PICTURE PRIMITIVE (2006), MALICE IN UNDERLAND (2003), STRANGE ATTRACTORS (2003), LAND PARTITION (2001), INEXORABLE WEATHER

Poetry is the subjective in language.
LOUIS ARMANDÕs poetry collections include INFANTILISMS (2023), VITUS (2022), DESCARTESÕ DOG (2021), MONUMENT (with John Kinsella, 2020), EAST BROADWAY RUNDOWN (2015), THE RUBE GOLDBERG VARIATIONS (2015), INDIRECT OBJECTS (2014), SYNOPTICON (with John Kinsella, 2012), LETTERS FROM AUSLAND (2011), PICTURE PRIMITIVE (2006), MALICE IN UNDERLAND (2003), STRANGE ATTRACTORS (2003), LAND PARTITION (2001), INEXORABLE WEATHER (2001) & SƒANCES (1998). He is the author of the libretto A HOUSE FOR HANNE DARBOVEN (2021) & novels including GLITCHHEAD (2021), VAMPYR (2020), THE GARDEN (2020), GLASSHOUSE (2018), THE COMBINATIONS (2016), ABACUS (2015), CAIRO (2014), CANICULE (2013), BREAKFAST AT MIDNIGHT (2012) & CLAIR OBSCUR (2011). His critical works include FEASTS OF UNRULE (2023), ENTROPOLOGY (2023), VIDEOLOGY (2015), THE ORGAN-GRINDERÕS MONKEY: CULTURE AFTER THE AVANTGARDE (2013), EVENT STATES (2007), LITERATE TECHNOLOGIES (2006), SOLICITATIONS: ESSAYS ON CRITICISM & CULTURE (2005), TECHNE (1997) & INCENDIARY DEVICES (1993). In 2009 he received honourable mention for original screenplay at the Trieste International Film Festival. He is formerly an editor of the arts journal VLAK & founder of the Prague Microfestival. www.louis-armand.com