Physical Graffiti (50th Anniversary Deluxe Edition) (3LP+Programme) (Exclusive)

Physical Graffiti (50th Anniversary Deluxe Edition) (3LP+Programme) (Exclusive)50th Anniversary Edition Of 2015S Physical Graffiti Deluxe Edition 3LP 180 gram Vinyl Set Featuring The Companion Audio Disc, Now Including A New Bonus Replica Physical Graffiti Promotional Poster Replica 16 page 1975 Earl's Court Tour Programme, Exclusive To Rhino. com & the Led Zeppelin Store We had enough material for one and a half LPs, so I figured, Lets put out a double and use some of the material wed done previously but never released. I

• 50th Anniversary Edition Of 2015’S Physical Graffiti Deluxe Edition 3LP 180-gram Vinyl Set Featuring The Companion Audio Disc, Now Including A New Bonus Replica Physical Graffiti Promotional Poster 
• Replica 16-page 1975 Earl's Court Tour Programme, Exclusive To Rhino.com & the Led Zeppelin Store

“We had enough material for one-and-a-half LPs, so I figured, ‘Let’s put out a double and use some of the material we’d done previously but never released’. I always thought the sequencing of an album was really important and that was part of my role as the producer." - Jimmy Page

“It goes from one extreme to the other but at the same time, it’s very evident that it’s Zeppelin… I love the album and it does work as a double album. There are some real humdinger, roaring tracks.” Robert Plant

“I’m a big fan of PHYSICAL GRAFFITI. [It] was very wide ranging. It probably was a pinnacle.” John Paul Jones

Generally regarded as one of the greatest double albums of all time, the original 15 PHYSICAL GRAFFITI tracks represent a creative tour de force that explores the band’s dynamic musical range, from the driving rock of “Custard Pie” to the exotic construction of “Kashmir” and the funky groove of “Trampled Under Foot.”

Jimmy Page began the initial work at his home studio in Plumpton, Sussex, England, in the summer and autumn of 1973, with the first recording sessions taking place that October at Headley Grange, using Ronnie Lane’s Mobile Studio. Further sessions at Headley continued in January 1974. Additional overdubs were recorded at Olympic Studios, where Page completed mixing of the album in July 1974.