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Aston / Jones / Mason: Vol 1 Music from the Peterhouse Partbooks: Three Marian Antiphons - COMPACT DISCSTitle: Vol 1 Music from the Peterhouse Partbooks: Three Marian Antiphons Artist: Aston Jones Mason Label: Blue Heron Ren Choir Product Type: COMPACT DISCS UPC: 705105260471 Genre: Classical Release Date: 2014 04 15 Alex Ross wrote at length about this CD in The New Yorker in January 2011. Here are excerpts from his piece: 'Fortunately, fresh ideas about Renaissance performance are proliferating Among recent CDs in the polyphonic field, a recording by
Title: Vol 1 Music from the Peterhouse Partbooks: Three Marian AntiphonsArtist: Aston / Jones / Mason
Label: Blue Heron Ren Choir
Product Type: COMPACT DISCS
UPC: 705105260471
Genre: Classical
Release Date: 2014-04-15
Alex Ross wrote at length about this CD in The New Yorker in January 2011. Here are excerpts from his piece: 'Fortunately, fresh ideas about Renaissance performance are proliferating... Among recent CDs in the polyphonic field, a recording by the Boston ensemble Blue Heron stands out, and not only because of the group's pleasingly quirky name. The director of Blue Heron is Scott Metcalfe... His aim is to bring expressive intensity, even a hint of Baroque flair, to the earlier repertory... The new Blue Heron disk... gathers five-part religious pieces by English composers of the early Tudor period: Robert Jones, John Mason, and, most significant, Hugh Aston... Only ten pieces by Aston survive, but they reveal a composer with a knack for generating brilliant climaxes from simple material... Of course, my sense of Aston's voice owes much to Blue Heron's imaginative realization of his scores. Through an array of interpretive choices-fine gradations of dynamics; pungent diction; telling contrasts of ethereal and earthly timbres; tempos that are more lusty than languid; a way of propelling a phrase toward a goal-the music takes on narrative momentum, it's moods dovetailing with the theme of the text. Listen to the brazen, almost raucous tone of the sopranos as they arrive, in "Ave Maria dive matris Anne," at the self-reflexive phrase "psallentes et omnes hoc Ave Maria"-"and all singing this Hail Mary." Or to the joyous thrust of the basses in the Amen coda of Aston's "Gaude virgo mater Christi," as they repeat a phrase in which one interval keeps widening, from a third to a fourth and, finally, to a fifth... The seemingly serene music of Renaissance church ritual did not stem from yoga-like spells of meditation. Instead, as Andrew Kirkwood observes, it communicated a desperate plea for mercy-in particular, "the desire to shorten the time in purgatory that, short of sainthood and immediate passage to paradise, would follow earthly life."... It is good to feel a hint of turbulence, of mortal fear, in performances such as Blue Heron's...; with that quiver of passion, the music inspires even greater awe.' The disc was released as the first in a series of recordings of music from the Peterhouse partbooks, the largest and most important source of English music surviving from the period just before the Reformation. The music is astonishingly beautiful and it's story is fascinating. We are able to sing these pieces in modern times only thanks to the work of a remarkable scholar and composer, Nick Sandon. The recording presents superlative music by three composers-Hugh Aston, Robert Jones, and John Mason-who were active in England in the 1510s through the 1540s. Today they are virtually unknown to performers and scholars alike owing to a historical tragedy, the destruction of most manuscripts of English sacred music during the religious upheavals of the 16th century.
Tracks:
1.1 Introit: Me Expectaverunt Peccatores - Blue Heron
1.2 Kyrie XII (Conditor) - Blue Heron
1.3 Gloria / Missa Regnum Mundi (Nicholas Ludford) - Blue Heron
1.4 Gradual: Specie Tua - Blue Heron
1.5 Alleluya: Veni Electa Mea - Blue Heron
1.6 Credo / Missa Regnum Mundi (Ludford)
1.7 Offertory: Offerentur Regi Virgines
1.8 Sanctus / Missa Regnum Mundi (Ludford)
1.9 Agnus Dei / Missa Regnum Mundi (Ludford)
1.10 Communion: Feci Iudicium
1.11 Ite Missa Est (0:43)
1.12 Votive Antiphon: Salve Regina (Richard Pygott)
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
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Very sturdy, easy to assemble and fill with water. I love the water filled stands because it's easy to empty and move around my yard. Highly recommended.
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★★★★★ 5
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Size: 1-Piece, Color: Black
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★★★★★ 4
Stable and Easy-to-Use Umbrella Stand
Size: 1-Piece, Color: Black
💧 Water-Filled Design
The ability to fill it with water makes it lightweight to move around when empty but very stable and heavy once filled. It holds the umbrella securely without tipping, even on windy days.
⚙️ Build & Compatibility
The stand feels sturdy, made from durable plastic, and the black color is neutral and fits well with most outdoor decor. It fits standard umbrella poles nicely, and the tightening mechanism is easy to use and keeps the pole firmly in place.
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It was easy to set up — just fill with water (or sand if you want extra weight) and insert the umbrella. I like that it’s less heavy than concrete bases but still very effective.
✅ Pros:
Lightweight when empty, easy to move
Very stable when filled with water
Simple to use and adjust
Durable plastic design
Fits most standard umbrella poles
❌ Cons:
Needs regular refilling if you use water (can leak slowly)
Plastic may show scratches over time
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Reviewed in the United States on October 6, 2025