"The School For Scandal" 1949 SHERIDAN, Richard Brinsley

"The School For Scandal" 1949 SHERIDAN, Richard BrinsleySHERIDAN, Richard Brinsley Richard Brinsley Butler Sheridan (30 October 1751 7 July 1816) was an Irish satirist, politician, playwright, poet and long term owner of the London Theatre Royal, Drury Lane. He is known for his plays such as The Rivals, The School for Scandal, The Duenna and A Trip to Scarborough. He was also a Whig MP for 32 years in the British House of Commons for Stafford (17801806), Westminster (18061807), and Ilchester (18071812). He

SHERIDAN, Richard Brinsley

Richard Brinsley Butler Sheridan (30 October 1751 – 7 July 1816) was an Irish satirist, politician, playwright, poet and long-term owner of the London Theatre Royal, Drury Lane. He is known for his plays such as The Rivals, The School for Scandal, The Duenna and A Trip to Scarborough. He was also a Whig MP for 32 years in the British House of Commons for Stafford (1780–1806), Westminster (1806–1807), and Ilchester (1807–1812). He is buried at Poets' Corner in Westminster Abbey. His plays remain a central part of the canon and are regularly performed worldwide.

[120] pp.

The Folio Society

1949

10" x 7 5/8"

Designs for decor & costumes by Cecil Beaton

The intrigues of such aptly named characters as Lady Sneerwell, Sir Joseph Surface, Lady Candour, and Sir Benjamin Backbite have amused theater audiences for more than two centuries. They are the invention of the Irish-born playwright Richard Brinsley Sheridan, and they unfold, collide, and backfire hilariously in his masterpiece, The School for Scandal, a play still considered by many the best comedy of manners in English.

It is a comedy with two plots, one involving Sir Oliver Surface's attempts to discover the worthier of his two nephews, and the other unleashing Lady Sneerwell's strategies to ensnare both nephews and the hapless Lady Teazle in her designs. Both plots converge brilliantly in the screen scene — one of the most famous in all of theater.

The School for Scandal reveals not only Sheridan's mastery of the mechanics of stage comedy, but also his flair for witty dialogue and obvious delight in skewering the affectation and pretentiousness of aristocratic Londoners of the 1770s. Its evergreen appeal makes it one of the most produced of all theater classics today, and one of the most delightful to read.