Lucian Freud

Lucian FreudThis volume, with more than 400 reproductions, will be the most comprehensive publication to date on Lucian Freud, covering a span of seventy years and including many works not previously reproduced. The result is a corpus of great works that reveal him to be the premier heir today of Rembrandt, Courbet, and C zanne. The book includes not only Freud's paintings but also his sketches, woodcuts, and powerful etchings. While the bulk of his paintings are

This volume, with more than 400 reproductions, will be the most comprehensive publication to date on Lucian Freud, covering a span of seventy years and including many works not previously reproduced. The result is a corpus of great works that reveal him to be the premier heir today of Rembrandt, Courbet, and C zanne. The book includes not only Freud's paintings but also his sketches, woodcuts, and powerful etchings. While the bulk of his paintings are female nudes, his cityscapes, plant studies, and interiors, executed in his distinctive muted palette and visible brushwork, are all included. Freud, who has lived in London ever since his family left Berlin in 1933 when he was ten, has achieved preeminence through his ruthless perception of the human form. His importance has long been recognized in England, but his present super-celebrity status dates from a retrospective at the Hirshhorn in Washington, D.C., in 1987. William Feaver, painter and for many years art critic for The Observer, provides a unique account of Freud's preoccupations and achievement. Startling, moving, profoundly entertaining, the book lives up to Freud's advice to students when getting them to paint self-portraits: "To try and make it the most revealing, telling, and believable object. Something really shameless, you know."

Binding Type: Hardcover
Publisher: Rizzoli International Publications
Published: 11/06/2007
ISBN: 9780847829521
Pages: 488
Weight: 8.23lbs
Size: 12.38h x 10.46w x 2.03d

Review Citations: Publishers Weekly 12/31/2007 pg. 55
Library Journal 02/01/2008 pg. 66
New York Review of Books 03/06/2008 pg. 22