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Steve Dawson: We Belong to the Gold Coast - COMPACT DISCSTitle: We Belong to the Gold Coast Artist: Steve Dawson Label: Black Hen Product Type: COMPACT DISCS UPC: 625712991721 Genre: Folk Release Date: 2008 06 30 Number of Discs: 1 Black Hen Music proudly presents the new album from multi Juno Award winner Steve Dawson, We Belong to the Gold Coast'. Steve has evolved into a musical chameleon, whether appearing with his group Zubot and Dawson, the avant folk quartet The Great Uncles of the Revolution, blues
Title: We Belong to the Gold CoastArtist: Steve Dawson
Label: Black Hen
Product Type: COMPACT DISCS
UPC: 625712991721
Genre: Folk
Release Date: 2008-06-30
Number of Discs: 1
Black Hen Music proudly presents the new album from multi Juno Award-winner Steve Dawson, “We Belong to the Gold Coast'. Steve has evolved into a musical chameleon, whether appearing with his group Zubot and Dawson, the avant-folk quartet The Great Uncles of the Revolution, blues legend Jim Byrnes, performing his own solo shows, or producing acclaimed albums in the studio. On stages ranging from Dobrofest in Slovakia to the renowned Monterey Jazz Festival and almost every major music festival in Canada, Steve is constantly striving for unique sounds and approaches to acoustic music. His instrumental abilities have landed him on stages with artists as diverse as Bob Brozman, Gil Scott-Heron, John Lee Hooker, Oregon, David Lindley, Long John Baldry, Oh Susannah, and Francois Houle, to name just a few. When the renowned guitarist/songwriter Kelly Joe Phelps put down the slide guitar to focus on songwriting a few years ago, he called on Steve to play the slide parts for the album “Slingshot Professionals'. Steve’s arsenal of instruments that he plays always grows, but includes all kinds of guitars, banjo, ukulele, Weissenborn Hawaiian guitar, dobro, lap steel, and most recently the pedal steel, for which he received a Canada Council grant last year to study with the legendary Greg Leisz. Steve is also an acknowledged triple-threat in the recording studio, known as an innovative and experimental engineer, an award-winning producer and an in-demand musician at the same time. His production talents have resulted in recent successes for Zubot and Dawson, blues legend Jim Byrnes, and a Juno Award for songwriter Jenny Whiteley, while his studio work as a musician adds up to over 50 albums. On “We Belong to the Gold Coast' Steve set out to explore the territory between old and new, antique and modern - both with musical style and sonic experimentation. Played on various acoustic and slide guitars, we catch glimpses of acoustic blues, early Hawaiian, jazz and pop music, mixed with modern sounds and textures. Influenced by the production sounds of Tchad Blake, Brian Wilson and Jon Brion, Steve has experimented for years with recording techniques on acoustic instruments, and this album is a showcase of truly exceptional sounds. Most of the basic tracks for this album were recorded live in the studio with Keith Lowe on bass (Fiona Apple, Bill Frisell), and Elliot Polsky on drums and percussion. Steve then dug into the studio to work on the overdubs and textural elements, and then took the tracks into a Vancouver church to record natural reverbs. The centerpieces to each section of “We Belong to the Gold Coast' are the 3 Hawaiian songs that appear throughout; “Patches', Irving Berlin’s “An Orange Grove in California' and Steve’s own “Red Sand Serenade'. Steve has studied early Hawaiian music extensively and wanted to record some songs that explored the pre-1940’s era of that music, and captured it's essence, while at the same time used instruments and sounds that were not originally associated with that style. Acoustic blues is another clear influence, and Steve has arranged two 1930’s songs by the Mississippi Sheiks, “World Gone Wrong' and “Livin’ in a Strain' with a fresh approach that highlights his creative fingerstyle approach to the guitar. Original songs and instrumentals make up the rest of the album, many of which feature guest musicians that Steve has worked with along the way. The songs “Slip By' “Photograph' and “Angeline', a song that refers to the wife of Blind Willie Johnson, are the most fully orchestrated pieces on the album, and feature Steve and the band, along with guests such as J.T. King’s Jeanne Tolmie on backup vocals, and Chris Gestrin on all sorts of strange keyboards. Steve’s musical compadre, Jesse Zubot makes an appearance with the string quartet that he arranged for “Ruby' and “The Gold Coast Revisited'. Steve has developed a unique voice on the guitar that has taken some major steps since his first solo album, “Bug Parade', that will continue to progress, along with his compositions and recording style. “We Belong to the Gold Coast' is an exciting step in the constantly evolving career of this world-renowned, award winning and eclectic artist. Watch for Steve on tour soon, performing solo or with his Gold Coast Ensemble.
Tracks:
1.1 We Belong to the Gold Coast
1.2 Trouble on the Run
1.3 Slip By
1.4 Patches
1.5 World Gone Wrong
1.6 Fried, Dyed and Laid to the Side
1.7 Living in a Strain
1.8 Photograph
1.9 An Orange Grove in California
1.10 Ruby
1.11 Song for Blind Joe
1.12 Angeline
1.13 Skilsaw
1.14 Red Sand Serenade
1.15 The Gold Coast Revisited
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
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★★★★★ 3
Would be better with longer cable and without the LED light.
I like that the install is very easy, non-permanent, and can be very quickly removed if needed. It fast charges and the magnets are strong (the reviews that say it doesn’t hold probably aren’t using a MagSafe case).
That said I have two annoying issues:
1) There is a light that comes on when the car is turned on. If you don’t put your phone on the charger it will say on for a minute or two and then eventually turn off.
2) The included USB-C cable is too short. It only just barely reaches the outlet in the front bottom center console. It would be better if they had included a 6ft with a 90-deg connector to draw power from the back seat ports.
3) It doesn’t not include a charger.
In all, the mount and charger are fine, but be prepared to spend an extra $20 on a longer cable and charger to make it all work.
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Reviewed in the United States on November 4, 2025
★★★★★ 5
Great Mag case phone holder
Works great holding my phone in front of me while I drive.
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Reviewed in the United States on April 3, 2026
★★★★★ 2
Phone holder, not charger.
Nice plastic phone holder, works a lot better if you don’t have a phone case, it fits almost flushed. It doesn’t use “stickiness” to hold its self, just pressure from bottom phone, it holds nicely but has a little gap on the sides, it too much pressure is applied then Tesla screen starts showing pressure. The wire is small but reaches the under panel how ever, it does not fit flushed, will need to do some tinkering. I slide the wire under the charger where the phones go. Now the door can’t close but it can pass through. That charger is not fast but it works.
Edit: nah, don’t get it. The charger doesn’t charge, it will charge them stop. It works like a phone holder…
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Reviewed in the United States on April 15, 2026
★★★★★ 5
Works Very Good!!!
I been using this Tesla Car Mount Charger for a while and its very easy to used, it has good size, and, good quality. In general im satisfied!
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Reviewed in the United States on January 21, 2026
★★★★★ 5
Great Wireless Charger for Model Y 2026
Works very well in my 2026 Tesla Model Y. The mount fits nicely and looks clean . Wireless charging is fast and convenient, and the phone stays secure while driving. Easy to install
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Reviewed in the United States on May 12, 2026